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Compiling the Ultimate Library with David Goodman – Grab This Book

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Welcome back to the Decades Library. This is the ninety eighth time the Library doors have opened – as this site is fully searchable you can pop the word “decades” into the wee search box at the top of the page and revisit all the previous Decades curators. This suggested course of action does carry the Danger To Your TBR health warning as there have been many amazing reading recommendations down the years.

If this should happen to be your first visit to the Decades Library, you are very welcome. Please allow me to explain what is about to unfold…

Back in 2021 I was pondering a dilemma: If I had a brand new library and zero books on the shelves, which books should I add to the library to make sure only the very best books were available to the Library visitors.  An Ultimate Library, as it were.

I realised I could not possibly hope to fill a library entirely on my own and that my own reading preferences were far too narrow to make the claim my library would be the Ultimate Library. So I began to invite guests to help me fill my library shelves – each guest is asked to nominate the books they feel belong in my Ultiamte Library.

But there had to be rules (nobody likes chaos). I ask my guests to follow just two rules when they make their selections and this is why my Ultimate Library is known as the Decades Library:

1 – You May Choose ANY Five Books
2 – You May Only Choose One Book Per Decade From Five Consecutive Decades

The Decades Library was born.  This week it is an absolute thrill to welcome David Goodman to my Decades Library. Back in September I spent two full days (Decades invitation in hand) hunting for Dave across Stirling while we were at Bloody Scotland. I knew he was there, but tracking down A Reluctant Spy author was a more tricky challenge than I had anticipated.  Fortunately email is still a thing and Dave kindly agreed to take on my Decades challenge.

Enough of my waffling, it is time to pass control to Mr David Goodman:

 

I’m David Goodman, a novelist and short story writer based in Scotland. My debut novel ‘A Reluctant Spy’ is out now. If you’d like to learn more, you can subscribe to my newsletter.

As a writer who works in both science fiction and thrillers, I’m going to take the opportunity Gordon has given me to talk about books from both sides of the genre divide. We’ll start in the 1960s.

 

 

The Looking Glass War
John Le Carré – 1965

Less well known than John Le Carré’s breakout hit ‘The Spy Who Came In From The Cold’, this darkly comedic story of departmental decline, faded glory and the last, desperate attempts to pull off one last intelligence coup is nevertheless packed with espionage and moral grey zones. Like many of Le Carré’s protagonists, Leiser the luckless Polish agent is doomed nearly from the start. But you can’t help hoping that he and the buffoons of the Department that send him into East Germany might just pull it off.

 

 

 

 

The Honourable Schoolboy
John Le Carré – 1979

If ‘The Looking Glass War’ is all about the small indignities and compromises of a marginalised and failing intelligence service, ‘The Honourable Schoolboy’ takes many of the same themes and puts them on a much broader stage. Following the ‘occasional’ agent Jerry Westerby as he travels across South East Asia at the tail end of the Vietnam War, it tells the story of a complex sting operation designed to flush out the beneficiary of a Soviet money laundering operation in Hong Kong. Desperate to find meaning in the dirty work he’s given to do, Westerby resolves to save the young British woman caught in the centre of the Soviet conspiracy, no matter the cost to himself or his mission. A sprawling, byzantine novel that’s absolutely dripping with atmosphere.

 

 

 

Neuromancer
William Gibson – 1984

William Gibson’s seminal cyberpunk novel absolutely blew my mind when I first read it in the early Nineties, and it’s all the more remarkable for having been written as early as it was, entirely on a manual typewriter. Indeed, if read by modern audiences it can seem a little derivative and trope-filled, but that’s because this book originated many of the concepts, words and imagery that have become so dominant in our films, tv shows and books. It tells the story of Case, a ‘console cowboy’ attempting to heist data across the virtual reality of the ‘matrix’ in a race with the bomb inside his own head. It still astonishes me that this book was written in a world of record players, payphones and punchcard computers.

 

 

Excession
Iain M Banks – 1996

Just like ‘Neuromancer’, Iain M Bank’s Culture series of wide-screen SF novels gave me a whole new perspective on life, science fiction and what it might be possible to write as a young man from Scotland. Banks lived a few miles away from where I grew up and I was intoxicated by the idea that someone living in North Queensferry on the other side of the Firth of Forth could have written this galaxy-spanning story of giant, AI-controlled Ships engaged in a conspiracy to cover up an intrusion on our reality from another dimension. Fully half the book is told in a series of nested messages sent between different factions in the shifting AI society that makes up the governing structure of the Culture, so it was an education in both experimental storytelling forms as well as astonishing plot mechanics.

 

 

Slow Horses
Mick Herron – 2010

It depends where you define the end of the Noughties (I’m in the ‘2010 is the last year of that decade, not the first year of the Twenty-Teens’ faction) so I’m sneaking it in. This was the first time that the early books in the series were published and did not sell particularly well – it was nearly another decade before their current staggering success began to take shape. But that’s a testament to the strength of Herron’s setup, characters and driving plot. From the first page and its distinctive framing narrative (each book begins and ends with a swooping, semi-omniscient point of view that sets the mood perfectly) to the hectic, breakneck pace of the ending, I fell in love with the oddball, misfit spooks of Slough House, their oddly menacing yet lovable leader Jackson Lamb and even the tarnished golden boy River Cartwright. As the series goes on and the cast expands (and in some cases suddenly contracts) they get steadily better too. Highly recommended.

 

 

 

 

 

It’s a terrific Decades week when I can bring George Smiley and Jackson Lamb together. And I will never be unhappy to see a book by Iain Banks (with or without his “M”). My thanks to Dave for these wonderful additions to my Library – if spy thrillers are your thing then you cannot overlook A Reluctant Spy…essential reading

 

 

 

 

 

 

 

 

 

 

 

 

 

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REVIEW: ‘Intervention’ by Harrison Murphy

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‘We were destroying the planet all along, weren’t we?’

The potential destruction of Earth as a result of climate change is a key theme of this interesting novel, delivered rather bluntly through characters like Madge and the Narrator, but also through reference to earlier historical events. However, the real philosophical crux of the novel is this: if you could intervene to change just one thing on Earth, what would you choose?

What’s it about?

When Greg dies, he is already ground down by life: he feels ill-treated by never achieving the professional recognition granted to his colleague, Liam, in the archaeological world, and by his relationship with his ex-wife, Jenna, so to be prematurely dead as a result of a car accident feels like just another kick in the teeth – until he discovers the power of Intervention.

Welcome to The Cloud, ‘the ultimate box set of everything that has ever happened, and has yet to happen, on Earth’. Initially distracted by his new-found ability to view other peoples’ lives at will, (and his horror at realising that this means other people will have seen his private, less salubrious habits over the years!) Greg eventually comes to realise that he can change one thing on Earth, providing he is willing to trade in his eternal existence in The Cloud for ‘Permadeath’.

What will Greg change? And what will the consequences be?

What’s it like?

Episodic and fragmented in style, with variations that do not reflect particularly kindly on the human race as a whole! I don’t think it constitutes a spoiler to say that Greg is not the only character to gain the power of Intervention, and not everyone is using their power for the greater good…

‘Intervention’ poses an interesting philosophical question, which Murphy explores through following a core cast of characters with constantly shifting fates through a period of a few years. Rather than chapters, the reader navigates ‘versions’ of events, beginning with version 3. Gradually, as the novel cycles back through the same events and explores the impact of decisions made via Interventions, some characters emerge as more skilful than others at using The Cloud to their advantage, but Murphy has a broader point to make about society and he makes it explicitly as the novel draws to a close, fully embracing the metafictional approach:

‘[She] said, almost like I came up with her character and this scenario to examine further the overarching themes of this novel.’

Final thoughts

There are some nice touches of comedy here, such as when the narrator tells Greg that the crash ‘kind of did [him] a favour’ by killing him pre-2020 because that year was ‘crazy’, and inherent in the notion that when unsuccessful people blame malign, external actors for their own limitations and failures – they may well be right!

I found the reactions of the different characters to death in The Cloud interesting, especially Conal, whose reactions differ significantly from the other characters and was intrigued by the initial mysteries (such as, why did Liam act like he did after the night out?)

The moral of the story is heavy handed and the ending increasingly didactic, but this is an interesting – albeit slightly depressing! – thought experiment. The fractured style of the narrative definitely makes this feel like more of an experiment than a conventional ‘story’, but it’s easy to keep track of the various characters (if at times unclear who is pulling their strings) and feels terribly convincing as an insight into human nature!

‘Intervention’,
Harrison Murphy,
2024, paperback
Many thanks to the author and Anne Cater’s Random Things Tours for providing me with a copy of this book in exchange for an honest review and a spot on the blog tour.

Want to know more? Follow the tour:

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The Dead of Winter – The Demons, Witches and Ghosts of Christmas by Sarah Clegg – A Little Book Problem

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As winter comes and the hours of darkness overtake the light, we seek out warmth, good food, and good company. But beneath the jollity and bright enchantment of the festive season, there lurks a darker mood – one that has found expression over the centuries in a host of strange and unsettling traditions and lore.

Here, Sarah Clegg takes us on a journey through midwinter to explore the lesser-known Christmas traditions, from English mummers plays and Austrian Krampus runs, to modern pagan rituals at Stonehenge and the night in Finland when a young girl is crowned with candles as St Lucy – a martyred Christian girl who also appears as a witch leading a procession of the dead. At wassails and hoodenings and winter gatherings, attended by ghastly, grinning horses, snatching monsters and mysterious visitors, we discover how these traditions originated and how they changed through the centuries, and we ask ourselves: if we can’t keep the darkness entirely at bay, might it be fun to let a little in?

Another impulse purchase with my post-Waterstones Triple Points weekend rewards which I thought sounded interesting and perfect to crack open on the cold and windy Winter Solstice. A non-fiction book in which the author explores some of the darker folklore surrounding Christmas traditions.

The book is divided into chapters with the author attending a variety of winter festivals around the UK and Europe including Carnival in Venice and Krampus-runs in central Europe and then explores the origins and develops of these events and what they represent to the people who celebrate them.

On Friday night, my younger daughter and I watched the new Christmas movie starring Dwayne Johnson. Red One it is called and we definitely did not just watch it because I have a bit of a thing for The Rock. NO, not at all, no sir-ee, that was not the reason. It was the nod to some of these ancient midwinter stories in a modern movie that drew me in. It was funny that one thing should follow the other, with me starting g this book the very next day, but it is fascinating that these stories persist, even in the most modern of fairytales. Although I am sure this book has much more accurate takes on the Krampus and Gryla legends.

If you like a darker tale for Christmas and you are interested in the origins of some of the more esoteric celebrations that take place around Europe in winter, you will love this book. The author dives into the history in fascinating detail, but still manages to retain an air of mystery and magic around the stories and the reason people keep on telling them, even to the extent of weaving them into 21st century blockbuster movies. They will send a little shiver up your spine and make you burrow a little further under your duvet as the wind howls around the eaves of the house, as it has been doing this weekend, while teaching you something at the same time. My favourite type of book.

The Dead of Winter is out now in hardback, ebook and audio formats and you can buy a copy here.

About the Author

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Sarah Clegg has a PhD in the ancient history of Mesopotamia from Cambridge University. She currently lives in London and works in publishing.

Connect with Sarah:

Website: https://eatingartefacts.wordpress.com

Twitter: @Eatingartefacts

Instagram: @readingartefacts

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