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HomeEntertainmentArtWatery Landscapes Set the Stage for Lachlan Turczan's Ephemeral Light Installations —...

Watery Landscapes Set the Stage for Lachlan Turczan’s Ephemeral Light Installations — Colossal


In the dreamy installations of Lachlan Turczan, natural and perceptual phenomena combine in otherworldly installations merging technology with aquatic landscapes. Water is central to the Los Angeles-based artist’s work and helps shape an ongoing series of immersive projects incorporating light and sonic phenomena.

Turczan is influenced by the Light and Space movement, which originated in Southern California in the 1960s and is characterized by the work of John McLaughlin, Robert Irwin, James Turrell, Lita Albuquerque, and more. The movement focused on perception, employing materials like glass, neon, resin, acrylic, and fluorescent lights to emphasize light, volume, and scale.

a landscape at dusk with a body of water that has geometric beams of light projected onto it in intersecting pink and blue lines, creating a grid of bright lights on the surface of the water
“Constellation Grid” (2024), water, light, and fog. A swamp in Upstate New York

Many Light and Space artists created installations and immersive spaces conditioned by naturally occurring elements like Turrell’s ever-changing glimpse of the sky through a ceiling aperture for “Space that Sees.” Not only does the view change as clouds roll by or the weather shifts, but the light continuously transforms the entire room.

“While my work shares this lineage,” Turczan tells Colossal, “it diverges in several key ways: rather than exploring the ‘nature of experience,’ I create experiences of nature that challenge our understanding of light, water, and space.” He describes his approach as “complicating” these elements, emphasizing the ever-changing fluidity of the environment.

In Turczan’s ongoing Veil series, light installations unfold organically in locations ranging from Death Valley’s Badwater Basin to a flooded park near the Rhine River. Lasers and beams of light are projected and submerged, capturing the movement of wind, mist, and the water’s surface.

Additional pieces also merge light and water, like “Aldwa Alsael,” which translates to “liquid light,” and was commissioned for the 2024 Noor Riyadh Light Art Festival.

a photograph of a dusky sky over water in Death Valley, with a bright linear beam of light coming straight down from the sky and intersecting with the surface of the water
“Veil I” (2024), light, water, and salt. Death Valley, California

“For the most part, these installations unfold organically,” Turczan says. “I may discover a location in nature that seems perfect for a new Veil sculpture, but when I return, the conditions have inevitably changed.” Evolving circumstances require the artist to proceed with an openness to chance encounters that strike a balance between preparation and intuition.

Find more on Turczan’s website, and follow updates on Instagram. (via This Isn’t Happiness)

a gift of light projecting onto the surface of water in the desert in blue and pink beams
“Death Valley Veil” (2024), water, light, and haze. Lake Manly, a temporary lake that formed in Death Valley’s Badwater Basin after Hurricane Hillary
a landscape at dusk with a body of water that has a geometric beam of light projected onto it in a bright purple line
“Veil II” (2024), light, water, and steam. Mojave Desert, California
a photograph of a light projection on a body of water, creating three concentric circles in orange on the surface of the water, with misty air interacting with the beams above the shape
“Aldwa Alsael” (2024), water, light, and steel tower, 25 x 25 x 50 feet
a dark body of water with a peach-colored geometric light projection in the surface of the water
“Veil V” (2024), water and light, 15 x 15 x 3 feet
a photograph of a light projection on a body of water, creating a series of three lines in green on the surface of the water, with misty air interacting with blue beams above the shape
“Aldwa Alsael”



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