Tuesday, February 4, 2025
HomeAnthropologySounds of the New Age, Part 1: Singing Crystals

Sounds of the New Age, Part 1: Singing Crystals


Josef N. Wieland, an anthropology graduate student at the University of California, Irvine, shares some of his current research tracking global gemstone networks spanning from Brazilian miners to luxury consumers in southern California. This is the first of Josef’s tw0-part series on Sounds of the New Age.

I first encountered “singing crystals” at a gem and mineral show at a Holiday Inn in Santa Ana, California several years ago. I was among a group of crystal customers lingering in hotel room that had been converted to a metaphysical shop for the weekend.

“Wow, singing crystals,”  a woman next to me read from a small paper sign next to a tray of small, slender Brazilian quartz crystals with a light pinkish hue. Picking up the crystals for the first time, I was surprised by the high pitched “clink” that they made when I rolled them around in my hand. It was oddly calming, almost cathartic. In New Age spiritual communities, singing crystals are thought to hold a powerful centering vibration that can help release creative energies. Some crystal healers jingle a few singing crystals in the palm of their hand during healing sessions, and others have suggested that the resonance of singing crystals can transform the body’s subtle energies during meditation practices.

During fieldwork at the Tucson Gem Show last month, I purchased a bag of random crystals, and upon opening the bag, I noticed that some of the crystals “sang” while others only thudded against each other.  One friend explained to me that the temperature of formation and purity of the crystals causes them to resonate at a distinct frequency, but I am awaiting a gemologist to verify this!

https://www.youtube.com/watch?v=4sIVswLP0AM

In the video I have separated the singing crystals from the “regular” crystals. The sonic differences, in my opinion, are striking. While researching the global New Age quartz crystal market, I’ve tried to look beyond the use of sight, the most obvious sense employed in evaluating and categorizing crystals’ luster, shape, and color. Singing crystals are unique in that they invite a much different sensory engagement with quartz and its metaphysical properties. What can the resonance of these crystals tell us about the subtle role that sound plays in other global commodities, from designer electronics to luxury car engines?

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