The title track of V_on’s album Hole in the Sea is an evolving soundscape that melds atmospheric synth tones with rhythmic cello, creating a piece rich in texture and emotion. Written and produced around the one-year anniversary of the Nord Stream 2 pipeline explosion, the track draws inspiration from the imagery, reports, and emotions surrounding the event. Its layered composition mirrors the complexity of the moment, inviting listeners to experience its dynamic shifts and textures.
Beginning with ambient synth layers, the track gradually introduces a rhythmic cello, blending classical elements with avant-garde experimentation. As the piece progresses, the cello becomes processed, taking on new dimensions that transform the track’s tone. These shifts create a dynamically engaging experience, with textures and ideas evolving organically.
V_on, the collaborative project of Joseph Warner and Markus Mehr, thrives on experimental synergy. Warner, a renowned figure in the European avant-garde double bass scene, brings a mastery of harmonics and extended techniques, preserving the tradition of his instrument while pushing its boundaries. Markus Mehr contributes his expertise in sound design, crafting abstract narratives from field recordings and electronics. Using Warner’s double bass as a primary sound source, Mehr reimagines its tones, creating soundscapes where Warner’s playing blossoms.
