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Here is Part 1 of 3 on a case study of the shot compositions from Pixar’s film “The Incredibles, I’ll go over how the relation…
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The line of action is a key ingredient to making your character’s poses look more dynamic. As shown in this post, the position and posture …
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See Part 1 here . Continuing with my case study of the shot compositions from Pixar’s film “The Incredibles”. All images us…
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Color—the theory and practice of painting PDF (108MB)
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Stephen Gammell celebrated his 69th birthday a couple weeks ago, and I just wanted to show off his work here today. Most people have never…
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This is my all time favorite film, and I’m happy to finally showcase it here. I highly recommend the Ultimate Collector’s Editio…
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A breakdown of the visual language of “Blade Runner” – Directed by Ridley Scott / Cinematography by Jordan Cronenweth. Using …
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Here’s a quick review of this drawing/painting program that I’ve just been made aware of. Up until now I’ve used Flash and Photo…
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Character design is paramount to pretty much any kind of comic. Most comics have things in them, and some of those things are characters,…
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Background Art, Character Layouts, and Story Art for “Princess Mononoke” …
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Blog Archive
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2025
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January
(9)- “Uncertified Document” – by Nahee Jang, Ximing Li,…
- “Dare to be Fabulous” – by João Buosi, Yangjia Che…
- ‘The Hork’ & ‘XIA’ – by Nicole Stafford
- NPR with Blender – Sticky Grease Pencil Showcase
- ‘Uncertified Document’ – By Nahee Jang, Ximing Li,…
- The Shyness of Trees
- “Dunderklumpen” – Swedish animated feature (1974) …
- Capitán del Espacio – by Diego Pablo Ferrero
- ‘The Shyness of Trees’ – by Sofiia Chuikovska, Loï…
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