This is Bruce Onobrakpeya’s version of the Last Supper, and it’s deeply rooted in Nigerian artistic traditions. Instead of using European styles, he draws on the visual language of Urhobo culture and broader West African symbolism. You can see the influence of traditional bronze work, fabric patterns, and carved motifs—things you might find in shrines or storytelling murals. The figures and symbols are arranged more rhythmically than realistically, reflecting the way many African artists prioritize meaning and memory over strict perspective. It’s a retelling of a biblical scene through the lens of local tradition, showing how faith and culture come together in a uniquely Nigerian way.
