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‘Close to Death’ by Anthony Horowitz – Wordy Witterings


In Close to Death, the fifth novel in Anthony Horowitz’s “Hawthorne” series, we find ourselves in the intricacies of Riverview Close, a gated community in Richmond Upon Thames where murder and secrets simmer beneath a seemingly tranquil surface. While Horowitz has played the role of Watson to Hawthorne’s Sherlock throughout the series, this time he takes a different approach, retracing Hawthorne’s steps in a previously solved case involving his former sidekick. This clever narrative twist brings a fresh perspective to the familiar dynamic, deepening the intrigue.

The plot revolves around the murder of Giles Kenworthy, a resident whose abrasive personality has left him with more enemies than friends. What follows is a quintessential cosy mystery, filled with quirky characters and darkly humorous observations about suburban life. Horowitz’s signature dry wit shines through as he reflects on the absurdities of his neighbours while grappling with his own place in the investigation. The community is rife with grievances, and Horowitz cleverly showcases how these simmering resentments can lead to deadly consequences.

As he digs deeper, Horowitz becomes increasingly fascinated by Hawthorne’s former partner, adding layers to the narrative that enrich the character dynamics. However, it’s worth noting that in this novel, Horowitz and Hawthorne never actually meet in person, which marks a departure from their usual interactions. This lack of face-to-face encounters adds an intriguing layer to the narrative, allowing Horowitz to explore his character’s thoughts and feelings about the enigmatic detective from a distance.

Although it’s possible to enjoy Close to Death as a standalone read, those familiar with the earlier books will appreciate the wealth of inside jokes and references that deepen the experience. The title itself is another one of Horowitz’s pun-filled delights, hinting at the dual themes of obsession and danger that permeate the plot.

While Close to Death may not deliver the heart-pounding suspense of a traditional thriller, it excels as a witty, character-driven mystery that invites readers to ponder the fine line between camaraderie and rivalry. For fans who enjoy a clever twist on the cosy genre, this book is a delightful addition to Horowitz’s oeuvre, proving once again that he masterfully balances intrigue with a keen sense of humour.

Thank you to Anthony Horowitz, Random House Uk and NetGalley for a free copy of this book in exchange for my honest review.

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