Like a sky inside by Jakuta Alikavazovic
French fiction/ essay
Original title – Comme un ciel en nous.
Translator Daniel Levin Becker
Source – Personal copy
Is there ever a time when you see little bits about a book and you just know it will be one of those books that will be with you forever? There aren’t many books like that. They come along once in a blue moon, the ones. that touch you. I had an idea that this book might be one of those books. Firstly, it has a writer of Balkan heritage writing in French, and me, they are my two favourite places to read books, so I knew this book from the daughter of Yugoslavian parents born in Paris. Her parents were from Bosnia and Montenegro. She has also worked as a translator on books by David Foster Wallace and Ben Lerner, which means she also has great taste in literature.
The Louvre was the first French city where I felt at home, my father used to say. The official story: he came to Paris in 1971, for the love of my poetess mother. He stayed for the Louvre. He was twenty years old and the twenty years that followed – covering, in part, my childhood – would unfold as though in a dream.
His joie de vivre. His appetite for the world. His opti-mism, and the limits thereof. He had no money and still believed it made no difference, because he had enough to act like he did. To pretend.
Of course, his head must have spun. To imagine the City of Light, to dream of it, is one thing; to discover it, to be a body, a twenty-year-old body wandering its daytime and nighttime streets, is another. All forms of difficulty
– loneliness, poverty, the roundly accepted fact that the slightest cough, the slightest cold, is far graver in a foreign language — all forms of difficulty have disappeared from his official story. Among them, his reasons for emigrat-ing: Paris, certainly. My mother, of course. The Louvre, naturally. But it would take me years to learn that he did it the way he did to escape military service in Yugosla-via, his country of origin, which today no longer exists.
Her parents Home Yugoslavia imploded and split
The book has the premise that she spends an overnight stay in the Louvre Gallery, where her young son is at Over. Over the evening, we see how art, family, memories, and how you could steal the Mona Lisa all drift by. This is a book that is one of those you sink into as a reader. It shows us how art and memories can connect from a piece that remembers her heading to New York against her father’s wishes when she was younger. The satyr she saw has a fellow sculpture now in New York that she had seen on the trip her father didn’t want her to do, as it drifts in her mind. Like the star in the sky, it follows her life’s path and her relationship with her father, alongside her evident love of art and how she connects with art. A night that sees her move far out of the bounds of the walls of the Gallery and the sense of time and place.
When I think about my father, I often think of those strange and beautiful images of wild animals, great and mighty deer, descending upon cities, wandering through streets. What they are experiencing is also an exile -quite solitary, like my father’s, quite majestic.They seem immediately at home, and their presence breathes a new enchantment into what we thought we knew: the sidewalks, the intersections, the asphalt under our feet. Nonetheless, an exile. They come driven by hunger. Or curiosity. Which for some, such as my father, such as me, is more or less the same thing. Yes, there is something deerlike in the familiarity I feel for him; a hint of wildness, of the unknown, forever inaccessible to my words but not to my heart. My heart, of which it is one of the centers. One of the places most intimate to me and, in spite or because of this, one of the most foreign.
I loved this observation of her father
This is a book I read as it was on the Republic of Consciousness longlist. But when I put a picture up and people like Anthony at times flow stemmed said they loved this book, I knew it would be one I would like. I love books that deal with Art, travel, memory and that bond between father and Daughter. It captures how your mind can drift from it, and it is with my dad’s engineering or castles that is our connection. Edinburgh castles or a dam make me think of my father and his past his life. I connected with this work as I said, there are just some books you know before you turn over the first p[ages you hope and think will be with you for the rest of your life. This is one of those books like Panorama by Dusan Sarotar or Fireflies by Luis Sagasti or back even further for me the Encyclopedia of Snow by Sarah Emily Miano. Those books that just touch you in a way you can’t say other than it’s about a connection on an emotional level with the writer at that moment of reading that will last forever after you put the book down. Have you ever had that feeling about a book and that connection that makes you drift into your own life as a reader and son of a daughter, in this case!
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