Transnational
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Marketing The Princess and the Goblin: Transnational Animation and Failure During the Disney Renaissance
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Unsurprisingly, József Gémes’ The Princess and the Goblin (1991), an animated co-production between Hungary, Wales, and Japan, appears to be a ...

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A Transnational Appropriation: Thinking about G.O.R.A.’s Visual Effects
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Like many filmmaking practices outside Hollywood, Turkish cinema lacks a popular sci-fi genre. The main reasons for this are insufficient ...

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Transnational Exchange between Canadian and (Post-)Yugoslav Animation Cultures
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In his report from the 1964 Annecy Festival, the third edition of the oldest international animation festival, Derek Hill lamented the poor global ...

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