Transnational
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Understanding Roma transnational experiences of the COVID-19 pandemic – Somatosphere
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Part of a series discussing Romani Chronicles of Covid-19: Testimonies of Harm and Resilience, edited by Paloma Gay y Blasco and Martin Fotta (Berghahn: ...

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Data Centers, Transnational Collaborations, and the Differing Meanings of Connection
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Data centers are in the news. You have probably read or heard about them. It’s as if with the snap of a finger the news cycle has changed, and the latest ...

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Marketing The Princess and the Goblin: Transnational Animation and Failure During the Disney Renaissance
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Unsurprisingly, József Gémes’ The Princess and the Goblin (1991), an animated co-production between Hungary, Wales, and Japan, appears to be a ...

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A Transnational Appropriation: Thinking about G.O.R.A.’s Visual Effects
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Like many filmmaking practices outside Hollywood, Turkish cinema lacks a popular sci-fi genre. The main reasons for this are insufficient ...

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Transnational Exchange between Canadian and (Post-)Yugoslav Animation Cultures
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In his report from the 1964 Annecy Festival, the third edition of the oldest international animation festival, Derek Hill lamented the poor global ...

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