
There are songs we listen to, and then there are sound currents that feel like they’re doing something to us. “Ghor Dhukyang” by White Sun sits firmly in the second camp. Not just music for the background, but something closer to sunlight after a cold rain. The kind of light that lands soft but steady.
The song feels deeply spiritual and worldly all at once. It’s hard to pin it down, but maybe that’s the point—White Sun don’t aim for your genre library; they’re aiming somewhere between your nervous system and your spine. The mantra is ancient and powerful, traditionally used when nothing else seems to work. But here, it floats gently. The strings arrangement is like something pulled from a film about healing, and the rhythm pulses hypnotically, like a heartbeat finally settling after a long stretch of stress. And Gurujas’ voice? It’s like honey stirred into tea you didn’t realise you needed.
Even knowing that “Ghor Dhukyang” is tied to transformation through adversity, it doesn’t feel heavy-handed. It’s not dramatic. There’s no “spiritual” posturing. Instead, it’s light—sunny, even—almost playful in its warmth. And that lightness might be the very thing that makes it powerful. It doesn’t confront the darkness. It simply steps into the room and opens a window.
About White Sun:
White Sun, formed in Los Angeles by Harijiwan and Gurujas, have quietly become masters of turning age-old practices into something vibrantly alive. Their Grammy wins aren’t accidents. Nor are they trophies of past relevance. They’re simply markers of how far-reaching their sound has become. Across eight albums and nearly 200 songs, they’ve created music that blends pop, reggae, folk, and a quiet but electric sense of purpose. The Gong remains central to their sound, but there’s nothing rigid or sacred here—it’s fluid, playful, and human.
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