


Mohammad Khalikh
Hi everyone, I’m Mohammad Khalikh. I work as a Previs Artist, and I am also a Certified Reallusion Trainer based in India. With over seven years of experience in the Indian film industry, I worked on feature films, series, and commercials – helping directors visualize complex ideas before production begins.
I combine cinematic storytelling with real-time workflows. To achieve this, I heavily rely on tools like iClone and Character Creator to turn scripts into moving stories efficiently. Beyond my studio work, I also train aspiring artists in animation, filmmaking, and previs, empowering them to embrace creativity through technology and transform their vision into powerful visual narratives. You can find more of my work on my YouTube channel, or reach out to me on LinkedIn for more information.
My Journey with iClone
When I first discovered iClone through my mentor Gigi George several years ago, I wasn’t searching for a revolution, just a faster way to visualize stories. What I found was something that reshaped how I approach filmmaking. iClone became more than just software; it became my creative partner, turning raw imagination into cinematic storytelling at real-time speed.
After spending more than seven years in the Indian film industry, I’ve learned that previsualization is one of the most powerful yet underrated phases of production. It’s the stage where directors, cinematographers, and artists like me can experiment freely before a single frame is shot. And with iClone, that process feels intuitive and limitless.

“iClone gives me a real-time canvas to test ideas quickly and see stories come alive before production.”
Mohammad Khalikh, Previs Artist
Previs isn’t about perfection—it’s about purpose. Directors need to understand the rhythm of a sequence, the flow of a camera move, or the emotional beat of a scene. iClone lets me visualize all of that in real time. Whether it’s blocking a fight sequence, testing a lighting setup, or experimenting with lens choices, iClone lets me make decisions instantly. I can try five different camera angles in minutes, present multiple versions to a director, and adjust pacing without ever leaving the scene. That creative agility is what makes iClone irreplaceable in my workflow.

Smart Search: Small Feature, Huge Impact
Every artist knows that when inspiration strikes, nothing should slow you down. That’s exactly why the Smart Search feature in iClone 8 has become a game-changer for me.
I often work with extensive libraries of assets, including motions, props, characters, and effects. And finding a specific item used to interrupt my creative flow. Now, Smart Search handles that instantly. Whether I need a fight motion or a specific prop, I can locate it in seconds.

That simple improvement has saved me countless hours. But more importantly, it’s kept my creativity uninterrupted. When tools disappear into the background, storytelling takes center stage … And, that’s exactly what Smart Search enables.

Building My Previs Pipeline
My previs workflow in iClone usually begins with blocking. I start by laying out the environment, placing characters, and roughing out the action. Then comes the fun part: camera direction. iClone’s cinematic controls give me the same creative freedom I’d have behind a real lens.
Once the foundation feels solid, I move into lighting and timing adjustments. Because iClone is fully real-time, I can refine everything as I go. What once took days now happens in a single session, making iteration quick and collaboration smooth.

Educator’s thoughts
As a Reallusion Certified Trainer, I’ve had the privilege of sharing these techniques with students and professionals. Many of them start with little experience in animation, yet they’re amazed by how quickly they can create cinematic results. What I love most is watching their confidence grow as they realize previs isn’t about complex software—it’s about storytelling. iClone bridges the skill gap beautifully, turning technical learning into creative exploration.
Looking Ahead
The future of filmmaking is undeniably real-time. As virtual production and previs continue to merge, tools like iClone are becoming the connective tissue between creativity and technology. For independent artists like me, this shift is liberating. It allows us to compete at a global level – delivering cinematic, director-ready sequences without massive teams or budgets.


My journey with iClone is still evolving, but one thing remains constant: the joy of bringing stories to life. Every time I see a director’s idea take shape through previs, I’m reminded why I started this journey. That is to turn imagination into something tangible, one shot at a time.
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