Lynne
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Midnight Blue — Lynne Cameron Artworks
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This contingent emergence of form and colour fascinates me. I prepare the surface, allow the conditions, then the ink does its thing. I can adjust the ...

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How do we belong to the world? — Lynne Cameron Artworks
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“In what ways do we belong to the world?” This question lies at the core of the work of John Berger, according to Nikos Papastergiadis in an essay ...

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a slipping glimpse — Lynne Cameron Artworks
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Abstract painter Willem de Kooning, talking about his practice:Each new glimpse is determined by many,Many glimpses before.It's this glimpse which ...

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Responding to Simone de Beauvoir on creative work (1) — Lynne Cameron Artworks
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One way I respond to her statements about what holds back women is to feel how they apply to my own art practice/life, then turn them around, and affirm ...

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Layering — Lynne Cameron Artworks
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Layering has long been important in my painting process. It’s a simple notion: on day one, I paint the first layer; on day 2, I paint on top of the first ...

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Why these workshops, why now? — Lynne Cameron Artworks
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For years, I engaged in rational, analytic study of metaphor and empathy in dialogue. Despite my best academic intentions, the imagination resisted being ...

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responding to Simone de Beauvoir on creative work (2) — Lynne Cameron Artworks
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From Chapter 14 The Independent Woman, I extracted statements that Simone de Beauvoir makes about women artists and writers, in particular and in ...

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usually right … what, me? — Lynne Cameron Artworks
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Whether or not intuition can be described (only) as “instincts…honed through use and experience”, it’s the next sentence that struck me:you reach a point ...

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Time to return? — Lynne Cameron Artworks
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This recently published webpage: Greece and painting and me reminded me of how much I love Greece.It is a while since I was there - the pandemic happened ...

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